About Garrick Davis

Garrick Davis is the founding editor of the Contemporary Poetry Review, the largest online archive of poetry criticism in the world. The magazine was founded in 1998, and was one of the earliest literary reviews in the United States to be published exclusively on the Internet. His poetry and criticism have appeared in the New Criterion, Verse, the Weekly Standard, McSweeney’s, and the New York Sun. He is the editor of Praising It New: The Best of the New Criticism (Swallow Press, 2008) and Child of the Ocmulgee: the Selected Poems of Freda Quenneville (Michigan State University Press, 2002). His book of poems, Terminal Diagrams, is also available (Swallow Press, 2010). He served as the literary specialist of the National Endowment for the Arts in Washington, D.C. from 2005-2008. He currently serves as a multidiscipline specialist responsible for the NEA’s Arts Journalism Institutes.

Garrick Davis Has written the following articles:

Hart Crane: American Futurist

Futurism, the great European art movement of the early 20th century, found an audience of one in the industrialized new world, and that was Hart Crane. He was not the first American poet to be comfortable in the modern world, nor was he the first to use its imagery in his poems: that would be […]

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On the Golden Age of Poetry Criticism

Click here to read The Sacred Wood by T. S. Eliot free of charge. As Reviewed By: Garrick Davis “I do not believe there has been another age in which so much extraordinarily good criticism of poetry has been written.” –Randall Jarrell I. A Renaissance begins, if it begins at all, in the unlikeliest of […]

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Dana Gioia and the Role of the Poet-Critic

Interviewer’s Note: Born in Los Angeles in 1950, Dana Gioia attended Stanford University and did graduate work at Harvard where he studied with Elizabeth Bishop and Robert Fitzgerald. He left Harvard to attend Stanford Business School. For fifteen years he worked in New York for General Foods (eventually becoming a Vice President) while writing nights […]

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Stephen Burt and the Role of the Poet-Critic

Stephen Burt grew up in Washington, D.C., graduated from Harvard College in 1994, and did graduate work at Oxford and then at Yale. He teaches at Macalester College in St Paul, Minnesota. His first book of literary criticism, Randall Jarrell and His Age, won the Robert Penn Warren-Cleanth Brooks Award for Outstanding Literary Criticism in […]

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Adam Kirsch and the Role of the Poet-Critic

 Interviewer’s Note: Adam Kirsch was born in Los Angeles in 1976. After studying English at Harvard, with a focus on poetry, he went to work at The New Republic as assistant literary editor. After leaving the magazine, he moved to New York and started work as an editor at Lipper Publications, the co-publisher of the […]

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Toward the New Futurism

The artistic movement which Filippo Tommaso Marinetti launched on the front page of Le Figaro in 1909 with his famous manifesto, which Guillaume Apollinaire would soon call le nouveau esprit, and which quickly spread throughout continental Europe as the last great art fashion, Il Futurismo, never took root in England or America. The explicit program […]

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Madonna Anno Domini

Reviewed: Madonna anno domini by Joshua Clover. Louisiana State University Press, 1997. It is often important to understand why an audience acquires certain books, especially when this unmasks a shallowness on our part, or a susceptibility to the slick iconography of marketing departments. For it is certainly true in our time that the visual presentation […]

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The Breakdown Of Criticism Before The Printed Deluge

We live in an age awash with bad books. This fact, though that statistical non-entity the average reader may be unaware of it, constitutes the greatest crisis facing literature at the end of this century. It has for some time been axiomatic among critics that the sheer volume of new works has effectively silenced their […]

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