It is nearly twenty-five years since Joseph Epstein published his now famous essay—or as Dana Gioia referred to it, his “mordant 1988 critique”—under the flashy title “Who Killed Poetry?” (Commentary, August 1988) “A brilliant polemicist,” Gioia wrote, “Epstein intended his essay to be incendiary, and it did ignite an explosion of criticism.” That came from [...]







