About Quincy Lehr

Richard Blanco’s inaugural poem, “One Today,” sucked. Take the first stanza, which manages to be at once portentous, vaguely imperialistic, and dull: One sun rose on us today, kindled over our shores, peeking over the Smokies, greeting the faces of the Great Lakes, spreading a simple truth across the Great Plains, then charging across the [...]

When Solon declared that he learned something new every day (or was it Pericles?—some dead Greek guy, at any rate), he perhaps was not thinking of the utility of the Pratt-Shelby Knot when trying to keep a leather tie proportional enough that the thin end does not emerge at an inconvenient and insistent angle. However, [...]

(Author’s note: No science was involved in the writing of this essay; nor was there any systematic process of interviews. No, this is based on firm anecdotal evidence, told to me by various poets in various stages of sobriety over the course of several years, as well as my own experiences since my first book [...]

Reviewed: A City of Angels: A Verse Play in Three Acts by Ben Mazer. Cy Gist Press, 2011 A verse drama—particularly when encountered, not on stage, but in a limited edition chapbook—has a tall order in front of it. It must, solely through dialogue, convey scene, emotion, and plot, even while working as verse. Ben [...]