Posted on 07 May 2013
Perhaps the most surprising feature of Richard Blanco’s inaugural poem, “One Today,” is that hardly anyone took notice. In the week after the inauguration, the blogosphere was eerily quiet in regard to the poem. The Washington Post failed to run the complete text until Saturday, and the few online weeklies that bothered to devote any [...]
Posted on 03 April 2013
Richard Blanco’s inaugural poem, “One Today,” sucked. Take the first stanza, which manages to be at once portentous, vaguely imperialistic, and dull: One sun rose on us today, kindled over our shores, peeking over the Smokies, greeting the faces of the Great Lakes, spreading a simple truth across the Great Plains, then charging across the [...]
Posted on 01 March 2013
John F. Kennedy’s request that Robert Frost read at his inauguration had no precedent in United States history, but, in retrospect, appears rather predictable. The 86-year-old writer was already “the embodiment of American poetry,” as Jay Parini puts it in his biography. Parini recalls that Kennedy enjoyed Frost’s poetry, and – more importantly, no doubt [...]
Posted on 04 February 2013
Until recently, Dennis O’Driscoll was among the few living poets I most wanted to meet. He was also the only such poet whose writings I barely knew. Yet shortly after his sudden death on December 24, 2012 (a week shy of his 59th birthday), I resolved to fill this gap in the coming year. I [...]
Posted on 06 December 2012
It is nearly twenty-five years since Joseph Epstein published his now famous essay—or as Dana Gioia referred to it, his “mordant 1988 critique”—under the flashy title “Who Killed Poetry?” (Commentary, August 1988) “A brilliant polemicist,” Gioia wrote, “Epstein intended his essay to be incendiary, and it did ignite an explosion of criticism.” That came from [...]
Posted on 17 January 2012
When Solon declared that he learned something new every day (or was it Pericles?—some dead Greek guy, at any rate), he perhaps was not thinking of the utility of the Pratt-Shelby Knot when trying to keep a leather tie proportional enough that the thin end does not emerge at an inconvenient and insistent angle. However, [...]
Posted on 23 November 2011
When I was seventeen years old and barely aware of poetry, with no idea what good poetry might be, or even what if anything might please me, a friend, just back from his English class, rushed breathlessly into my room at boarding school, book in hand, and cried, “Listen to this!” I caught this morning [...]
Posted on 04 October 2011
(Author’s note: No science was involved in the writing of this essay; nor was there any systematic process of interviews. No, this is based on firm anecdotal evidence, told to me by various poets in various stages of sobriety over the course of several years, as well as my own experiences since my first book [...]
Posted on 09 September 2011
The present survey is provisional and intended to serve as only the merest introduction to a vast and extraordinarily complex field, one that commands broad, ongoing attention. Useful examples and additions are welcome and may be entered in the comments section below the article.[1] An earlier version of this essay was given as a talk in [...]
Posted on 25 April 2011
1. Precursors / chronological by country A) England Gascoigne, George. “Certayne Notes of Instruction concerning the making of verse or ryme in English…” In The Posies of George Gascoigne. London: Richard Smith, 1575.[1] Puttenham, George. The Art of English Poesy: A Critical Edition. 1589. Ithaca, NY: Cornell University Press, 2007. Lancelot, Claude. Quatre Traitez de [...]