Archive | This Month

Too Cool for School: G. M. Palmer on Broetry

Reviewed: Broetry by Brian McGackin. Quirk Books, 2011. $12.95 Broetry’s title jumps into a spot your mind didn’t know was there. Sure, you know “bros” and you know “poetry,” and it somehow seems more than natural for a book called Broetry to appear in your hands. And when it does appear, the first thing you [...]

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These Are the Poems, Folks: On the Relationship Between Poetry and Joke-telling by David Yezzi

Stand-up comedian Tony Campanelli confessed Monday to the Feb. 26 killing of 180 comedy-club patrons during a performance at Crack-Ups in Royal Oak. . . . “Man, I killed ’em,” the 33-year-old Campanelli told Royal Oak police interrogators. “You shoulda seen them rolling out there. I really knocked ’em dead. . . .” —The Onion, [...]

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Anchor in the Shadows: Bill Coyle on Tomas Tranströmer

(Editor’s Note: As it was announced today that Tomas Tranströmer had been awarded the Nobel Prize for Literature, the editors of the CPR thought it fitting to re-post this fine review of his work by Bill Coyle from 2009.) Reviewed: The Great Enigma: New Collected Poems by Tomas Tranströmer, translated by Robin Fulton. New Directions Books, [...]

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The Lighter Side: Quincy Lehr on Selling Your Poetry Book

(Author’s note: No science was involved in the writing of this essay; nor was there any systematic process of interviews. No, this is based on firm anecdotal evidence, told to me by various poets in various stages of sobriety over the course of several years, as well as my own experiences since my first book [...]

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Without a Net: Ernest Hilbert on Optic, Graphic, Acoustic, and Other Formations in Free Verse

The present survey is provisional and intended to serve as only the merest introduction to a vast and extraordinarily complex field, one that commands broad, ongoing attention. Useful examples and additions are welcome and may be entered in the comments section below the article.[1] An earlier version of this essay was given as a talk in [...]

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Good Bone Structure: Maryann Corbett on Charles Martin

Reviewed: Signs and Wonders by Charles Martin. The Johns Hopkins University Press, 2011. 74 pages. To publish a collection of new poems late in a distinguished career is a slightly anxious proposition, both for the poet and for readers. This is even more true when the previous book, nine years old now, was a “new [...]

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Adventures in Scholarship: Garrick Davis on the Textbook Understanding Poetry

Reviewed: Understanding Poetry by Cleanth Brooks and Robert Penn Warren. 1st edition, 1938. 2nd edition, 1950. 3rd edition, 1960. 4th edition, 1976.   What was the most important literature textbook of the 20th century? A work by two associate professors at Louisiana State University, it turns out, which went through four editions, and which made [...]

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An American Way to Go: John Foy on Peter Balakian

Reviewed: Ziggurat by Peter Balakian. University of Chicago Press, 2010. Peter Balakian’s poetry is a “strange brew of wind and light” distilled to one degree or another from primal trauma. He’s as American as Walt Whitman and Joe Namath, a product of high school football teams in the affluent New Jersey suburbs, but he is [...]

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Rick Joines on the Gravity and Levity of Kay Ryan

Reviewed: The Best of It: New and Selected Poems by Kay Ryan. Grove Press, 2011. 288 pages. $14.95. Kay Ryan’s pulling-herself-up-by-her-own-muddied-Blundstone-bootstraps-story is already the stuff of legend.  After writing and publishing poems for 20 years or so in relative obscurity, in this last decade she became the darling of Poetry Magazine, won a Guggenheim and [...]

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The Lighter Side: The Unspoken Rules of Book Reviewing II

In considering “the unspoken rules of book reviewing,” the editors came across David Wheatley’s superb essay on poet-critics (originally published in CPR a number of years ago) and decided to reprint a section of it (modified only by numbered bullets for emphasis). Here is the view “from across the pond” as it were. * * * [...]

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